Soviet actress of theater and cinema. Laureate of the State (Stalin) Prize of the second degree (1941). USSR People's Artist (1954). during the life of the great actress called "visible magic of the theater," the living embodiment of the highest artistic skill. Talked about it and wrote the directors, writers, poets, playwrights and theater critics. There is something in art she fascinating and subjugates the viewer and listener: "it is impossible to resist the charm of its games or reading. And empathize with her and she is admiring, it does not want to leave. The reason lies not only in its unique personality, but also a special skill, narazryvno fused with her amazing personality" - wrote P. Markov. She according to M.I. Turov, was not on the Russian stage, neither before nor after April 25, 1922 at the Theater of Actors, the premiere of the play "The Magnanimous Cuckold" staged by Meyerhold. After the premiere of M.I. Babanov "woke up famous." Theater criticism greeted the phenomenon of "new actress." The paradox of novelty defined in its main features, "In the fullness of the inner life of the century characteristic of Russian actress expressed, however, the exact score of movement and sound" (M. Turov).In 1927 Babanov finally nourish the theater of the Revolution to the end of his days, it will be "the first actress" of the theater. On its stage Babanov has established its prominent role - Gogh ("The Man with a briefcase"), Anya ("Poem of the ax"), Juliet ("Romeo and Juliet"), Diana ("The Dog in the Manger"), Tanya ("Tanya"), Larissa ("Bride"). In 1979, after a long time, on the eve of its 80th anniversary, M.I. Babanov tour and appeared on stage Theater, (New Stage on Tverskoy Boulevard). She was invited by Oleg Efremov to the wife in a play by Edward Albee.
Soviet actress of theater and cinema. Laureate of the State (Stalin) Prize of the second degree (1941). USSR People's Artist (1954). during the life of the great actress called "visible magic of the theater," the living embodiment of the highest artistic skill. Talked about it and wrote the directors, writers, poets, playwrights and theater critics. There is something in art she fascinating and subjugates the viewer and listener: "it is impossible to resist the charm of its games or reading. And empathize with her and she is admiring, it does not want to leave. The reason lies not only in its unique personality, but also a special skill, narazryvno fused with her amazing personality" - wrote P. Markov. She according to M.I. Turov, was not on the Russian stage, neither before nor after April 25, 1922 at the Theater of Actors, the premiere of the play "The Magnanimous Cuckold" staged by Meyerhold. After the premiere of M.I. Babanov "woke up famous." Theater criticism greeted the phenomenon of "new actress." The paradox of novelty defined in its main features, "In the fullness of the inner life of the century characteristic of Russian actress expressed, however, the exact score of movement and sound" (M. Turov).In 1927 Babanov finally nourish the theater of the Revolution to the end of his days, it will be "the first actress" of the theater. On its stage Babanov has established its prominent role - Gogh ("The Man with a briefcase"), Anya ("Poem of the ax"), Juliet ("Romeo and Juliet"), Diana ("The Dog in the Manger"), Tanya ("Tanya"), Larissa ("Bride"). In 1979, after a long time, on the eve of its 80th anniversary, M.I. Babanov tour and appeared on stage Theater, (New Stage on Tverskoy Boulevard). She was invited by Oleg Efremov to the wife in a play by Edward Albee.
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