Ivan Aleksandrovitch Wyschnegradsky
[also transliterated as Vïshnegradsky, Wyshnegradsky, Wischnegradsky, Vishnegradsky, or Wishnegradsky]
(Иван Александрович Вышнеградский)
was a Russian composer primarily known for his microtonal compositions, including the quarter tone scale (24-tet: 50 cents). He also used scales of up to 72 divisions (mainly third (18-tet: 66.6 cents), sixth (36-tet: 33.3 cents), and twelfth tones (72-tet: 16.6 cents)).
[also transliterated as Vïshnegradsky, Wyshnegradsky, Wischnegradsky, Vishnegradsky, or Wishnegradsky]
(Иван Александрович Вышнеградский)
was a Russian composer primarily known for his microtonal compositions, including the quarter tone scale (24-tet: 50 cents). He also used scales of up to 72 divisions (mainly third (18-tet: 66.6 cents), sixth (36-tet: 33.3 cents), and twelfth tones (72-tet: 16.6 cents)).
Ivan Aleksandrovitch Wyschnegradsky
[also transliterated as Vïshnegradsky, Wyshnegradsky, Wischnegradsky, Vishnegradsky, or Wishnegradsky]
(Иван Александрович Вышнеградский)
was a Russian composer primarily known for his microtonal compositions, including the quarter tone scale (24-tet: 50 cents). He also used scales of up to 72 divisions (mainly third (18-tet: 66.6 cents), sixth (36-tet: 33.3 cents), and twelfth tones (72-tet: 16.6 cents)).
[also transliterated as Vïshnegradsky, Wyshnegradsky, Wischnegradsky, Vishnegradsky, or Wishnegradsky]
(Иван Александрович Вышнеградский)
was a Russian composer primarily known for his microtonal compositions, including the quarter tone scale (24-tet: 50 cents). He also used scales of up to 72 divisions (mainly third (18-tet: 66.6 cents), sixth (36-tet: 33.3 cents), and twelfth tones (72-tet: 16.6 cents)).
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