Musician, Band Leader & Composer. Was most noted as a composer in the United States during the 19th Century for regimental bands during the early days of the American Civil War.
Grafulla was born in 1810 on Minorca, a Spanish island off the coast of Spain. At the age of 28, he emigrated to the United States, where he became a French horn player in Napier Lothian's New York Brass Band in New York City. This band was attached to the 7th Regiment of the New York National Guard, which was honored in 1922 by John Philip Sousa's The Gallant Seventh march. In 1860, he added woodwinds to a reorganized band and continued to serve as its director (without pay) until his death in 1880.
Grafulla was a quiet, unassuming man who never married; his whole life centered around his music. His remarkable technical and musical skills allowed him to become well known as a composer, often writing music on order, and as an arranger. The hallmark Port Royal Band Books were composed and arranged for the 3rd New Hampshire Regiment Band, when it was formed for service during the Civil War. As a director of the 7th Regiment Band, his fame spread widely.
Grafulla composed Washington Greys in 1861 for the 8th Regiment, New York State Militia. This work has been called a march masterpiece, a band classic, and the prototype of the concert march. Showing the stylistic influence of both German and Italian marches, the march has a marvelous balance of technique and melody in a continuous flow of musical ideas. It dared to break the old formulas, however, because it has no introduction, no break strain, and no stinger.
Grafulla was born in 1810 on Minorca, a Spanish island off the coast of Spain. At the age of 28, he emigrated to the United States, where he became a French horn player in Napier Lothian's New York Brass Band in New York City. This band was attached to the 7th Regiment of the New York National Guard, which was honored in 1922 by John Philip Sousa's The Gallant Seventh march. In 1860, he added woodwinds to a reorganized band and continued to serve as its director (without pay) until his death in 1880.
Grafulla was a quiet, unassuming man who never married; his whole life centered around his music. His remarkable technical and musical skills allowed him to become well known as a composer, often writing music on order, and as an arranger. The hallmark Port Royal Band Books were composed and arranged for the 3rd New Hampshire Regiment Band, when it was formed for service during the Civil War. As a director of the 7th Regiment Band, his fame spread widely.
Grafulla composed Washington Greys in 1861 for the 8th Regiment, New York State Militia. This work has been called a march masterpiece, a band classic, and the prototype of the concert march. Showing the stylistic influence of both German and Italian marches, the march has a marvelous balance of technique and melody in a continuous flow of musical ideas. It dared to break the old formulas, however, because it has no introduction, no break strain, and no stinger.
Musician, Band Leader & Composer. Was most noted as a composer in the United States during the 19th Century for regimental bands during the early days of the American Civil War.
Grafulla was born in 1810 on Minorca, a Spanish island off the coast of Spain. At the age of 28, he emigrated to the United States, where he became a French horn player in Napier Lothian's New York Brass Band in New York City. This band was attached to the 7th Regiment of the New York National Guard, which was honored in 1922 by John Philip Sousa's The Gallant Seventh march. In 1860, he added woodwinds to a reorganized band and continued to serve as its director (without pay) until his death in 1880.
Grafulla was a quiet, unassuming man who never married; his whole life centered around his music. His remarkable technical and musical skills allowed him to become well known as a composer, often writing music on order, and as an arranger. The hallmark Port Royal Band Books were composed and arranged for the 3rd New Hampshire Regiment Band, when it was formed for service during the Civil War. As a director of the 7th Regiment Band, his fame spread widely.
Grafulla composed Washington Greys in 1861 for the 8th Regiment, New York State Militia. This work has been called a march masterpiece, a band classic, and the prototype of the concert march. Showing the stylistic influence of both German and Italian marches, the march has a marvelous balance of technique and melody in a continuous flow of musical ideas. It dared to break the old formulas, however, because it has no introduction, no break strain, and no stinger.
Grafulla was born in 1810 on Minorca, a Spanish island off the coast of Spain. At the age of 28, he emigrated to the United States, where he became a French horn player in Napier Lothian's New York Brass Band in New York City. This band was attached to the 7th Regiment of the New York National Guard, which was honored in 1922 by John Philip Sousa's The Gallant Seventh march. In 1860, he added woodwinds to a reorganized band and continued to serve as its director (without pay) until his death in 1880.
Grafulla was a quiet, unassuming man who never married; his whole life centered around his music. His remarkable technical and musical skills allowed him to become well known as a composer, often writing music on order, and as an arranger. The hallmark Port Royal Band Books were composed and arranged for the 3rd New Hampshire Regiment Band, when it was formed for service during the Civil War. As a director of the 7th Regiment Band, his fame spread widely.
Grafulla composed Washington Greys in 1861 for the 8th Regiment, New York State Militia. This work has been called a march masterpiece, a band classic, and the prototype of the concert march. Showing the stylistic influence of both German and Italian marches, the march has a marvelous balance of technique and melody in a continuous flow of musical ideas. It dared to break the old formulas, however, because it has no introduction, no break strain, and no stinger.
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