Dr. Raad gave concerts, lectures and master classes throughout the USA and abroad, appearing frequently at major colleges, universities and preparatory schools. She published regularly in professional journals. Her last book was on the composer Claude Debussy. She recorded Debussy's work for EDUCO.
As an adjudicator, Dr. Raad made many trips for the West Virginia Music Teachers Association.
She served as musicology program chair for the national association, the West Virginia Federation of Music Clubs and the National Guild of Piano Teachers. Dr. Raad was a grant reviewer for the American Society for Aesthetics and National Endowment for the Humanities. She was a Committee member for the National Endowment for the Arts.
Dr. Raad received numerous awards for the development of an intimate type of lecture concert for college students that has been emulated throughout the world. Though Dr. Raad lived much of her life in Salem, she traveled thousands of miles in what became a highly individual and singular enterprise in both education and the concert world. Her endeavor was to encourage each individual to enlarge his or her vision of the arts. She is listed in WHO'S WHO IN AMERICAN, THE WORLD WHO'S WHO OF WOMEN and the INTERNATIONAL WHO'S WHO IN MUSIC AND MUSICIANS DIRECTORY.
Dr. Raad gave concerts, lectures and master classes throughout the USA and abroad, appearing frequently at major colleges, universities and preparatory schools. She published regularly in professional journals. Her last book was on the composer Claude Debussy. She recorded Debussy's work for EDUCO.
As an adjudicator, Dr. Raad made many trips for the West Virginia Music Teachers Association.
She served as musicology program chair for the national association, the West Virginia Federation of Music Clubs and the National Guild of Piano Teachers. Dr. Raad was a grant reviewer for the American Society for Aesthetics and National Endowment for the Humanities. She was a Committee member for the National Endowment for the Arts.
Dr. Raad received numerous awards for the development of an intimate type of lecture concert for college students that has been emulated throughout the world. Though Dr. Raad lived much of her life in Salem, she traveled thousands of miles in what became a highly individual and singular enterprise in both education and the concert world. Her endeavor was to encourage each individual to enlarge his or her vision of the arts. She is listed in WHO'S WHO IN AMERICAN, THE WORLD WHO'S WHO OF WOMEN and the INTERNATIONAL WHO'S WHO IN MUSIC AND MUSICIANS DIRECTORY.
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